Joan Cererols: Requiem Mass for double choir and bass continuo / “¡Ay, qué dolor!” / Johann Sebastian Bach: 2 motets / Gregorio Allegri: Miserere

A number of musicological studies have affirmed that it is highly probable that Johann Sebastian Bach (1685-1750) had first-hand knowledge of some of the works of the Catalan composer, Joan Cererols (1618-1676). The initial theme of the monumental Saint Matthew Passion is in fact based on a theme which is almost identical to one used by Cererols in the villancet, “¡Ay, qué dolor!”.

In this concert, dedicated to the memory of the music-lover and man of many interests, Ernest Lluch, La Stagione Armonica, an ensemble based in Padua, will explore this possible influence by performing a selection of works by both composers.

The concert will end with a work which is one of the high points of prima prattica, and which for over a hundred years could never be copied or performed outside the Vatican. This is the well-known Miserere by Gregorio Allegri (1582-1652), which could only be heard during Holy Week performances in the Sistine Chapel, and which the 14-year-old Mozart managed to write out after only one hearing.

Join production Torroella de Montgrí Music Festival. Concert dedicated to the memory of Ernest Lluch